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Arts

  • Glass half full

    Glass half full0

    An absorbing revival of Tennessee Williams’ intense family drama The Glass Menagerie offers some strong performances as director Atri Banerjee tries to modernise a dated story. Kingston’s Rose is the venue (until May 4) of this minimalist touring production which builds in tension and focus through a powerful second half to a curiously flat ending.

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  • Macbeth’s gory reimagining

    Macbeth’s gory reimagining0

    Perplexingly stark, but mesmerizingly watchable, Zinnie Harris’s reworking of Shakespeare’s Scottish play, Macbeth (An Undoing), at Kingston’s Rose (until Mar 23) puts the focus on Lady Macbeth (Nicole Cooper) in a gory exploration of guilt, madness and power shifts. By the end the cast are using mops and buckets to scrub blood from the stage,

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  • The Rose’s Peter Pan doesn’t fly

    The Rose’s Peter Pan doesn’t fly0

    • Arts
    • 8th December 2023

    Oddly dark, light on laughs and lacking razzmatazz and special effects, The Rose’s annual Christmas show, Peter Pan, is about as far from Disney’s classic animated version as it’s possible to travel. There are some very good performances, notably by the engaging Kaine Ruddach as Peter, Michelle Bishop cleverly doubling up as Mrs Darling and

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  • Ingenious show enthrals

    Ingenious show enthrals0

    • Arts
    • 6th October 2023

    Ingenious and riveting, the Rose’s latest show – Shooting Hedda Gabler – enthralled last night’s audience. It’s an innovative new drama that owes its existence to a lockdown, distanced conversation in a park between the Kingston theatre’s artistic director Christopher Haydon and playwright Nina Segal.  The lights come up on a Norwegian film set, where

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  • Unsettling Heights

    Unsettling Heights0

    The audience settles, and is immediately unsettled. The stark, dark Gothic saga of Wuthering Heights unfolds on the stage of the Rose in Kingston in a disturbing adaptation by the Inspector Sands troupe. Ben Lewis twists Emily Bronte’s 1847 novel into a two-and-three-quarter-hour show directed by Lucinka Eisler, with this all-too brief local run ending

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  • Coronation appetiser

    Coronation appetiser0

    With exquisite timing, the Rose Theatre’s latest offering is a royal epic centred on coronations. Opening a week ahead of King Charles III’s crowning, Richard III sees experimental thesp Adjoa Andoh (known to millions as Lady Danbury from Bridgerton) turn a title role traditionally depicting a white male hunchback into a petite black villain to

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