An absorbing revival of Tennessee Williams’ intense family drama The Glass Menagerie offers some strong performances as director Atri Banerjee tries to modernise a dated story. Kingston’s Rose is the venue (until May 4) of this minimalist touring production which builds in tension and focus through a powerful second half to a curiously flat ending.
READ MOREPerplexingly stark, but mesmerizingly watchable, Zinnie Harris’s reworking of Shakespeare’s Scottish play, Macbeth (An Undoing), at Kingston’s Rose (until Mar 23) puts the focus on Lady Macbeth (Nicole Cooper) in a gory exploration of guilt, madness and power shifts. By the end the cast are using mops and buckets to scrub blood from the stage,
READ MOREIngenious and riveting, the Rose’s latest show – Shooting Hedda Gabler – enthralled last night’s audience. It’s an innovative new drama that owes its existence to a lockdown, distanced conversation in a park between the Kingston theatre’s artistic director Christopher Haydon and playwright Nina Segal. The lights come up on a Norwegian film set, where
READ MOREThe audience settles, and is immediately unsettled. The stark, dark Gothic saga of Wuthering Heights unfolds on the stage of the Rose in Kingston in a disturbing adaptation by the Inspector Sands troupe. Ben Lewis twists Emily Bronte’s 1847 novel into a two-and-three-quarter-hour show directed by Lucinka Eisler, with this all-too brief local run ending
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