Fire rages at garden centre
- Environment, Gardening, News
- 17th July 2020
The Christmas show at Kingston’s Rose is another lively musical powered by the youthful vigour of the theatre’s junior thesps. Robin Hood and the Christmas Heist, which runs until Jan 5, is an original story by Chris Bush, unencumbered by the usual panto versions of the folklore tale set in Sherwood Forest. The main protagonists walk
READ MOREWhisper it – couture has arrived in Surbiton. Fashion house Teresa Si has launched its new collection in the elegant surroundings of The Sanctuary. An appreciative audience saw founder and creative director Teresa Scognamiglio, pictured, reveal her latest gowns which have been inspired by the mosaics of Herculaneum and Pompeii. There were gasps and applause
READ MOREMike Leigh’s feast of agonising drunken smalltalk, Abigail’s Party, is back on stage at Kingston’s Rose, with Laura Rogers playing the deliciously excruciating hostess Beverley – the part that Alison Steadman made her own in the beloved TV version. The suburban satire is so cemented in the collective conscience from that masterful 1977 BBC adaption
READ MOREShe’s the poster girl for Surbiton’s waste-not, want-not community. And now she is literally that – a poster girl! Sage Parmar, the driving force behind Sage’s health store – the organic, sustainable grocery shop in Brighton Road which champions zero waste – is the face of a What’s Your Plastic Solution? campaign. You can see
READ MORELocation, Location, Location. Great river views, 62 workstations, a board room, five stand-alone offices, two Zoom pods, super-fast wi-fi, business and admin support, bottomless tea and coffee, a café, showers… and a spot right in the heart of Kingston – even Kirstie Allsopp would be impressed. Town Square Spaces Kingston, a new workspace and enterprise
READ MOREAn absorbing revival of Tennessee Williams’ intense family drama The Glass Menagerie offers some strong performances as director Atri Banerjee tries to modernise a dated story. Kingston’s Rose is the venue (until May 4) of this minimalist touring production which builds in tension and focus through a powerful second half to a curiously flat ending.
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