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There’s a spectacular scale and scope to the Rose Theatre’s revival of Bertolt Brecht’s The Caucasian Chalk Circle, once a mainstay of drama groups the world over but now performed less frequently. This is a big, bold, epic production, with the performers taking on dozens of different roles in a flurry of costume changes –
READ MORENicholas Woodeson is perfectly cast as the future Pope Francis in The Two Popes at the Rose All pictures: Manuel Harlan Warning: incense. An unlikely audience caution ahead of a play, but as the curtains part on Anthony McCarten’s The Two Popes at Kingston’s Rose, aromatic smoke does permeate the auditorium. It’s a sumptuous, absorbing
READ MOREKingston’s Rose Theatre is cementing its reputation for bold, energetic and innovative drama with its latest stage show, A Monster Calls, which tackles a string of challenging issues in an accomplished way. The production is on a grand tour, but anyone who catches it at the riverside theatre in the High Street is likely to
READ MOREWere Jane Austen to have sat through the Rose Theatre’s stage adaptation of her novel Persuasion she would, artistic director Chris Haydon suggests, have thought it “awesome”. She’d certainly have been bemused by signs outside the auditorium warning of strong language; probably racking her brain to recall any effing or blinding. Yet ‘awesome’ is an
READ MOREChris Haydon – artistic director at Kingston’s Rose Theatre – has urged young Surbiton film-makers to be part of a new silver-screen festival this summer. Pictured on the left of this triumvirate of worthies, Chris said that the line between theatre and cinema had blurred in lockdown, opening up extra avenues to success for anyone
READ MORECompelling and absorbing, the latest offering from the Rose is a wide-ranging exploration of modern issues, referencing women created by a playwright a mere 2,500 years ago. Yet you need to know nothing about Euripides or the subjects of his ancient Greek writings to appreciate the mesmerising stagecraft of Niamh Cusack and Shannon Hayes as
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